Actors: Peter Lorre, Ellen Widmann
Director: Fritz Lang
'We have it down to a science' is something that gets said a lot of times, and that's a desirable thing. It means that if we follow certain steps, we'll end up at our desired result every time. Filmmaking is to a large degree a science now, especially with larger budget movies. Scripts are split into acts, conflicts arise at certain points, they get resolved, and it's all very clean - audiences are rarely upset with this sort of film if it's well-made, well-acted, and plausible within its own logic.
M is not a film like this. It wasn't made when filmmaking was a science - it's an art picture. There are long stretches of silence. There are scenes that go on too long. There are loose threads. Regardless, it's a stunning achievement in film, one that manages to engage the viewer philosophically while still managing to tell a story visually.
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